January 7, 2013
“The Existence of the World Is a Controversy” by John Estes

After the photograph, the class wandered
off and I wondered why so often I found myself
the last man. Because I’d read Emerson
all summer long, I took my lack
of discomfort to be a sign of heroic standing.

So I determined to set for myself a new relation
to the universe, to write poems.
As if one could settle, once and for all, the question
whether or not vocation is all.

Solitude can become a rotten habit.
I remember how acute the contentment,
Friday nights especially, my reflection in the television.

What passes for turning inward, for study and for art,
can slip unnoticed into a well-practiced jeopardy,
a narrative fortress projecting the story
of separation into a post-quotidian SIGNIFICANT LIFE.
A myth is a lie breathed through silver.

Peace, not necessarily the doing of peaceful spirits,
can lead to believing that being a person is easy.

On my honeymoon, I thought to myself
You’ll never be alone again. Inside
the wigwam suite, clothes scattered
around the bearskin rug, an Indian-warrior
gelatin print—his feathers new, his face
deep-lined and droughted—as my eyewitness,
I wondered what might happen
if I surrendered, with a few conditions,
to this bright casualty.

December 9, 2012
“Snowflakes” by Jennifer Grotz

Yesterday they were denticulate as dandelion greens, they
locked together in spokes and fell so weightlessly

I thought of best friends holding hands.
And then of mating hawks that soar into the air to link their claws
and somersault down, separating just before they touch the ground.

Sometimes the snowflakes glitter, it’s more like tinkling
than snow, it never strikes, and I want to be struck, that is

I want to know what to do. I begin enthusiastically,
I go in a hurry, I fall pell-mell down a hill, like a ball of yarn’s

unraveling trajectory—down and away but also surprising ricochets
that only after seem foretold. Yesterday I took a walk because

I wanted to be struck, and what happened was
an accident: a downy clump floated precisely in my eye.

The lashes clutched it close, melting it against the eye’s hot surface.
And like the woman talking to herself in an empty church

who eventually realizes she is praying, I walked home with eyes that melted snow.

December 1, 2012
“Medusa in San Francisco” by William Winfield Wright

Ok, I was a little nervous
in the airport, but I looked at her
right in her eyes, and sure
she had her hair up sometimes,
but why would that make any
difference? What I am saying
is that a thousand times I smiled
into her sweet face, at the restaurant
where the owner also took her hands,
in the sleepy park, at pizza—she
even drank some of my soda—in the bath
where I made love to her dirty hair, all that
and the moment of parting, waving
and waving at her, even when her head
disappeared up the escalator and then
her collarbone, hips, knees and perfect feet,
and my heart lost whatever small bits
of stone it ever could have had, and yes
time stopped and now everyone everywhere
looks like they are from out of Vigeland Park,
stone, sure, but smooth and naked and tangled.

November 12, 2012
If there is something to desire

If there is something to desire, there will be something to regret. If there is something to regret, there will be something to recall. If there is something to recall, there was nothing to regret. If there was nothing to regret, there is nothing to desire.

—Vera Pavlova, from If There Is Something to Desire: One Hundred Poems (Alfred A. Knopf, Borzoi Books, 2010).
Translated from the Russian by Steven Seymour
Painting: Harutyun Gulamir Khachatryan, Desire, n.d.

If there is something to desire

If there is something to desire,
there will be something to regret.
If there is something to regret,
there will be something to recall.
If there is something to recall,
there was nothing to regret.
If there was nothing to regret,
there is nothing to desire.

—Vera Pavlova, from If There Is Something to Desire: One Hundred Poems (Alfred A. Knopf, Borzoi Books, 2010).

Translated from the Russian by Steven Seymour

Painting: Harutyun Gulamir Khachatryan, Desire, n.d.

(Source: apoetreflects)

September 17, 2012
“Portrait of Adamine” by Ryan Flaherty

The sunlight was 24 karat and a soft
breeze was cuffing the pines on their chins.
Adamine and I were standing by the water,
so close, I was afraid

of falling in.
She said, “In our rather pleasant time together
I have found you to be brilliant
without all the fuss of brilliance

or anything in the least pawnable as interest.”
Such discernment can be ungluing.
I said, ”You can’t imagine the wings—”
“But I can,” she says, ”You keep them folded

in a shoebox, wrapped in twine
and then silk you personally pull from the worms.
In the end it looks like this—”
She handed me a smooth, oval stone.

It shook and was unbreakable.
She handed me another
and another. Soon she was out
of earshot, then she was a glint

in a vast landscape.
Against this background I prop what I remember:
she had ten fingers, at least one sloped shoulder,
a curve down the nose, mouth, neck,

to the collarbone which I can only describe
with my finger and, I believe,
two eyes—but don’t hold me to them.
Something similar to a long time

is passing. This land is very remote,
but the water tastes fine and I have even found
a piece of air that resembles her mouth,
through which I can see a continent of turning

away. The views alone would break you.

August 27, 2012
“Programming” by Julia Stothard


You only touched on it;
the odd routine when the proprietary software couldn’t do the job,
your useful box of tricks.
One listed who is logged in at any time;
the unaccountable thrill
of knowing exactly who is connected
in the same moment;
the human element threaded together with wires.

The ungainly paddling around
in the shallows of real code;
true programmers swim.
Once they leave the side it’s one broad stroke after another
keeping it all afloat
evenly breathing the distance travelled –
the challenge is elegance
and efficiency, cutting the numbers without a splash;
redundancy, nil – zero errors.

Occasionally, you’d dive in
when the tide was calm and inviting
come up for air
gasping, revelling in a vast ocean of data.
Some days you desired
order, results, summary charts to measure
progress and worth;
percentage complete, or incomplete, or missing.

And always something was missing,
whether it was names deleted from Christmas lists
or voices replaced
by the whine of fans, cooling circuitry.
Then there was language
you only touched on but never embraced,
the touch that was never returned
as you moved alone through your splendid isolation
compiling lines and flirting with code.

August 26, 2012
“Bride of the New Dawn” by Laura Mullen

She appears to be recognized as herself and not herself, new because endlessly recycled, not what she was but not what she will be—see? Not married and not not married, the processional’s a ritual meant to extend a magical present, until the head of this pin is the size of a rented hall and all of us angels, stepping out on the long blank train of her on-going gown. To go in single and come married out is easy enough, what matters is to enlarge the interstitial, to live as long as we can in the not exactly no longer and the not quite not yet also. Where organ music drowns the ill-digested vows and the empty stomach growls. Hesitant. The BND goes down slow as a pill we can’t really swallow, stuck chunk in a stalled gulp between yesterday and tomorrow, at one and the same time belated and punctual. It’s the system itself we’ve come to see (open the plug of that rubber-edged rose window), not me and not you, but we: the marriage of church and state made visible, audible, available. Here dearly beloved’s an embarrassing gurgle, and the costly gown so much densely crumpled bathroom tissue backing up one overworked way in and out of the usual world. From the mouth to points South, scrawl that in soap on the vehicle? From “will you?” to “why don’t you ever?” on the march to “irreconcilable.” Hey—whoa! Away with you hand-wringing nay sayers: be here now now now now…. Cheeks are flushed and eyes overflow as we grasp her new handle, here to hear the I do as a couple of hard blows: that flesh-blunted sound of bone on bone dislodging as cough a caught morsel not thoroughly chewed. Back out, back up, quagmire, circle: proposed solutions involve the usual budget expansions, extended tours of duty, and additional troops.

August 25, 2012
"[…] in that drunken place
you would
like to hand your heart to her
and say
touch it
but then
give it back."

— Charles Bukowski (via cartographe)

July 30, 2012
that’s not where it itched

She pauses the music with her toe
Interrupting the strange fruit of Billie Holiday
“I’m like a vinyl that skips,” she declares
She sounds
more broken than she looks
Thighs intertwine
And hair entangles
With saliva and heat
and exhaustion
The record skips
The record     skips

June 3, 2012
"…and there it was one of those moments
that is the opposite of blindness.
The world poured back and forth between their eyes once or twice."

— Anne Carson, Autobiography of Red (via queermyquery)